| 流水号 | 期刊名称 | 卷本 | 出版社 | 时间 |
| 1 | 《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.1,no.1 | BELL YUNG | MUSIC DEPARTMENT AND THE ASINA STUDIES PROGRAM | 1997 |
| 2 | 《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.8,no.1 | BELL YUNG | MUSIC DEPARTMENT AND THE ASIAN STUDIES PROGRAM | 1995 |
| 3 | 《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.8,no.2 | BELL YUNG | MUSIC DEPARTMENT AND THE ASIAN STUDIES PROGRAM | 1995 |
| 4 | 《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.9,No.2 | BELL YUNG | MUSIC DEPARTMENT AND THE ASINA STUDIES PROGREM 1995 | 1996 |
| 5 | 《The Humanities》 | 香港中文大学文学院出版委员会 | 2001 | |
| 6 | 《东京艺术大学音乐学部小泉文夫纪念资料室所藏乐器目录》 | Edited by the Koizumi Fumio Memorial Archives | 1987年版 | |
| 7 | A critique of current research on music and gender | Anne Dhu Shapiro | The world of music | 2/1991 |
| 8 | A current comparative view on east asian music | Hwand Jun-yon | ||
| 9 | A MANUAL for DOCUMENTATION FIELDWORK &PRESERVATION for ETHNOMUSICOLOGISTS | 1994 | ||
| 10 | ACMR Reports | VOLUME11,Fall ISSUE1 | 1998 | |
| 11 | ACMR Reports | VOLUME11,Fall ISSUE2 | 1998 | |
| 12 | ACMR Reports | VOLUME12,Fall | 1999 | |
| 13 | ACMR Reports | VOLUME13,Fall | 2000 | |
| 14 | ASIAN MUSIC | VOLUME ⅩⅤ-2 | 1984 | |
| 15 | ASIAN MUSIC | VOLUME ⅩⅥ-1 | 1985 | |
| 16 | ASIAN MUSIC | VOLUME ⅩⅥ-2 | 1985 | |
| 17 | ASIAN MUSIC | VOLUME ⅩⅦ-3 | 1985 | |
| 18 | ASIAN MUSIC | VOLUME ⅩⅦ-2 | 1986 | |
| 19 | ASIAN MUSIC | VOLUME ⅩⅧ-1 | 1986 | |
| 20 | ASIAN MUSIC | VOLUME ⅪⅩ-1 | 1987 | |
| 21 | ASIAN MUSIC | VOLUME ⅪⅩ-2 | 1988 | |
| 22 | ASIAN MUSIC | VOLUME ⅩⅩ-1 | 1988-1989 | |
| 23 | ASIAN MUSIC | VOLUME ⅩⅩ-2 ISSUE1 | 1989 | |
| 24 | ASIAN MUSIC | VOLUME ⅩⅩ-2 ISSUE2 | 1989 | |
| 25 | ASIAN MUSIC | VOLUME ⅩⅪ-1 | 1989/1990 | |
| 26 | ASIAN MUSIC | VOLUME ⅩⅪ-2 | 1990 | |
| 27 | ASIAN MUSIC | VOLUME ⅩⅫ-1 | 1990/1991 | |
| 28 | ASIAN MUSIC | VOLUME ⅩⅫ-2 | 1991 | |
| 29 | ASIAN MUSIC | VOLUME ⅩⅩⅢ-1 | 1991/1992 | |
| 30 | ASIAN MUSIC | VOLUME ⅩⅩⅢ-2 | 1992 | |
| 31 | ASIAN MUSIC | VOLUME ⅩⅩⅥ-1 | 1994/1995 | |
| 32 | ASIAN MUSIC | VOLUME ⅩⅣ-1 | ||
| 33 | ASIAN MUSIC | VOLUME ⅩⅣ-2 | ||
| 34 | ASIAN MUSIC | VOLUME ⅩⅩⅥ-2 | 1995 | |
| 35 | ASIAN MUSIC | VOLUME ⅩⅩⅦ-1 ISSUE1 | 1995/1996 | |
| 36 | ASIAN MUSIC | VOLUME ⅩⅩⅦ-1 ISSUE2 | 1995/1997 | |
| 37 | ASIAN MUSIC | VOLUME ⅩⅩⅦ-2 | 1996 | |
| 38 | ASIAN MUSIC | VOLUME ⅩⅩⅧ-1 | 1996/1997 | |
| 39 | ASIAN MUSIC | VOLUME ⅩⅩⅧ-2 | 1997 | |
| 40 | ASIAN MUSIC | VOLUME ⅩⅩⅣ-1 | 1997/1998 | |
| 41 | ASIAN MUSIC | VOLUME ⅩⅩⅨ-2 | 1998 | |
| 42 | ASIAN MUSIC | VOLUME ⅩⅩⅩ-1 | 1998/1999 | |
| 43 | Bibliography on musci and gender_women in music | Jane bowers and Urban bareis | The world of music | 2/1991 |
| 44 | Buddhist and Taoist Studies 1 | Edited by Michael Saso and David W.Chappell | The University Press of Hawall | 1977年版 |
| 45 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅩⅨ | 2001 | |
| 46 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.C(100) | 2002 | |
| 47 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CI(101) | 2002 | |
| 48 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅡ(102) | 2003 | |
| 49 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅢ(103) | 2003 | |
| 50 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅣ(104) | 2004 | |
| 51 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅤ(105) | 2004 | |
| 52 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅥ(106) | 2005 | |
| 53 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅦ(107) | 2005 | |
| 54 | BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) | NO.CⅤⅨ(109) | 2006 | |
| 55 | Ceremonies and music for receiving foreign envoys in the choson period | Lim,Mi-sun | Paper for the 3rd international asian music Conference | |
| 56 | CHIANG CHING-KUO FOUNDATION FOR INTERNATIONAL SCHOLARLY EXCHANGE | 2004-2005 | ||
| 57 | CHIME | NO.4 | 1991 | |
| 58 | CHIME | NO.5 | 1992 | |
| 59 | CHIME | LEIDEN | NETHERLANDS | 1990 |
| 60 | Chinas Minority Nationalities(1) | CHINA RECONSTRUCTS | 1984年 | |
| 61 | Chinese music in the Diaspora:the case of teochew music in thailand | Frederick Lau | paper presented at the 3rd international conference of asian music | 1998 |
| 62 | CHINOPERL PAPERS | NO.4 | 1974 | |
| 63 | CHINOPERL PAPERS | NO.5 | 1975 | |
| 64 | CHINOPERL PAPERS | NO.6 ISSUE1 | 1976 | |
| 65 | CHINOPERL PAPERS | NO.6 ISSUE2 | 1976 | |
| 66 | CHINOPERL PAPERS | NO.7 | 1977 | |
| 67 | CHINOPERL PAPERS | NO.8 | 1978 | |
| 68 | CHINOPERL PAPERS | NO.9 | 1979-1980 | |
| 69 | CHINOPERL PAPERS | NO.10 | 1981 | |
| 70 | CHINOPERL PAPERS | NO.11 | 1982 | |
| 71 | CHINOPERL PAPERS | NO.12 | 1983 | |
| 72 | CHINOPERL PAPERS | NO.13 | 1984-1985 | |
| 73 | CHINOPERL PAPERS | NO.14 | 1986 | |
| 74 | Choices of Status and Role | Part 4 | ||
| 75 | Choosing a Location | Part 1 | ||
| 76 | Culture Bearer and Tradition Bearer:An ethnomusicologists Research on gospel music | Mellonee Burnim | Enthnomusicology | 1985 |
| 77 | Current Research of Daoist Ritual Music in China | Tsao Penyeh | Journal of the Asian Music Research Institute Seoul National University | Vol.20 1998 |
| 78 | Current Research on Asian Music | 1998年9月24-25日 | ||
| 79 | Current state and methodology of chinese music rearch in mainland china | yang mu | Paper for the 3rd IAMC Conference | |
| 80 | Entering a Native Community | Part 2 | ||
| 81 | Ethnomusicological Approaches to Western art music:a native reflection | John Rahn | The world of music | 1/1987 |
| 82 | Ethnomusicology | VOLUME 21-30 | 1977-1986 | |
| 83 | Ethnomusicology | VOLUME XXVII,NO.1 | 1983 | |
| 84 | Ethnomusicology | VOLUME XXVII,NO.2 | 1983 | |
| 85 | Ethnomusicology | VOLUME XXVII,NO.3 | 1983 | |
| 86 | Ethnomusicology | VOLUME XXVⅢ,NO.1 | 1984 | |
| 87 | Ethnomusicology | VOLUME XXVⅢ,NO.2 | 1984 | |
| 88 | Ethnomusicology | VOLUME XXVⅢ,NO.3 | 1984 | |
| 89 | Ethnomusicology | VOLUME 29,NO.1 | 1985 | |
| 90 | Ethnomusicology | VOLUME 29,NO.2 | 1985 | |
| 91 | Ethnomusicology | VOLUME 29,NO.3 | 1985 | |
| 92 | Ethnomusicology | VOLUME 30,NO.1 | 1986 | |
| 93 | Ethnomusicology | VOLUME 30,NO.2 | 1986 | |
| 94 | Ethnomusicology | VOLUME 30,NO.3 | 1986 | |
| 95 | Ethnomusicology | VOLUME 31,NO.2 | 1987 | |
| 96 | Ethnomusicology | VOLUME 31,NO.3 | 1987 | |
| 97 | Ethnomusicology | VOLUME 32,NO.1 | 1988 | |
| 98 | Ethnomusicology | VOLUME 32,NO.2 | 1988 | |
| 99 | Ethnomusicology | VOLUME 32,NO.3 | 1988 | |
| 100 | Ethnomusicology | VOLUME 33,NO.1 | 1989 | |
| 101 | Ethnomusicology | VOLUME 33,NO.2 | 1989 | |
| 102 | Ethnomusicology | VOLUME 33,NO.3 | 1989 | |
| 103 | Ethnomusicology | VOLUME 34,NO.1 | 1990 | |
| 104 | Ethnomusicology | VOLUME 34,NO.2 | 1990 | |
| 105 | Ethnomusicology | VOLUME 35,NO.2 | 1991 | |
| 106 | Ethnomusicology | VOLUME 35,NO.3 | 1991 | |
| 107 | Ethnomusicology | VOLUME 36,NO.2 | 1992 | |
| 108 | Ethnomusicology | VOLUME 36,NO.3 | 1992 | |
| 109 | Ethnomusicology | VOLUME 37,NO.2 | 1993 | |
| 110 | Ethnomusicology | VOLUME 37,NO.3 | 1993 | |
| 111 | Ethnomusicology | VOLUME 38,NO.2 | 1994 | |
| 112 | Ethnomusicology | VOLUME 39,NO.1 | 1995 | |
| 113 | Ethnomusicology | VOLUME 39,NO.2 | 1995 | |
| 114 | Ethnomusicology | VOLUME 39,NO.3 | 1995 | |
| 115 | Ethnomusicology | VOLUME 40,NO.1 | 1996 | |
| 116 | Ethnomusicology | VOLUME 40,NO.2 | 1996 | |
| 117 | Ethnomusicology | VOLUME 40,NO.3 | 1996 | |
| 118 | Ethnomusicology | VOLUME 41,NO.1 | 1997 | |
| 119 | Ethnomusicology | VOLUME 41,NO.2 | 1997 | |
| 120 | Ethnomusicology | VOLUME 41,NO.3 | 1997 | |
| 121 | Ethnomusicology | VOLUME 42,NO.1 | 1998 | |
| 122 | Ethnomusicology | VOLUME 42,NO.2 | 1998 | |
| 123 | Ethnomusicology | VOLUME 42,NO.3 | 1998 | |
| 124 | Ethnomusicology | VOLUME 43,NO.1 | 1999 | |
| 125 | Ethnomusicology | VOLUME 43,NO.2 | 1999 | |
| 126 | Ethnomusicology | VOLUME 43,NO.3 | 1999 | |
| 127 | Extension and its effect in bulgarian folk song | Boris Kremenliev | ||
| 128 | Film and video in ethnomusicological research | Oskar Elschek | The world of music | 3/1989 |
| 129 | Filming music and looking at music films | HUGO ZEMP | Enthnomusicology | Volume32 no.3 1988 |
| 130 | Filmmaking as musical Ethnography | John baily | The world of music | 3/1989 |
| 131 | Great expectations:Ethnomusicologists and filmmakers working together | Mitsu takahashi | The world of music | 3/1989 |
| 132 | ICTM Yearbook for Traditional Musicvol.20 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1988 |
| 133 | ICTM Yearbook for Traditional Musicvol.21 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1989 |
| 134 | ICTM Yearbook for Traditional Musicvol.23 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1991 |
| 135 | ICTM Yearbook for Traditional Musicvol.24 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1992 |
| 136 | ICTM Yearbook for Traditional Musicvol.25 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1993 |
| 137 | ICTM Yearbook for Traditional Musicvol.26 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1994 |
| 138 | ICTM Yearbook for Traditional Musicvol.27 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1995 |
| 139 | ICTM Yearbook for Traditional Musicvol.28 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1996 |
| 140 | ICTM Yearbook for Traditional Musicvol.29 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1997 |
| 141 | ICTM Yearbook for Traditional Musicvol.30 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1998 |
| 142 | ICTM Yearbook for Traditional Musicvol.31 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1999 |
| 143 | ICTM Yearbook for Traditional Musicvol.32 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 2000 |
| 144 | ICTM Yearbook for Traditional Musicvol.33 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 2001 |
| 145 | ICTM Yearbook for Traditional Musicvol.34 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 2002 |
| 146 | ICTM Yearbook for Traditional Musicvol.35 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 2003 |
| 147 | ICTM Yearbook for Traditional Musicvol.36 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 2004 |
| 148 | ICTM Yearbook for Traditional Musicvol.37 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 2005 |
| 149 | ICTM Yearbook for Traditional Musicvol.l5 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1983 |
| 150 | ICTM Yearbook for Traditional Musicvol.l6 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1984 |
| 151 | ICTM Yearbook for Traditional Musicvol.l7 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1985 |
| 152 | ICTM Yearbook for Traditional Musicvol.l8 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1986 |
| 153 | ICTM Yearbook for Traditional Musicvol.l9 | Professor Erich Stockmann | INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC | 1987 |
| 154 | Igbo and hausa musicians:a comparative examination | David W.Ames | Enthnomusicology | Volume12 no.2 May.1973 |
| 155 | Interviewing with Photographs | Chapter 8 | ||
| 157 | Introduction:studying musics of the worlds cultures | Bruno Nettle | excursions in world music | 1992 |
| 158 | JOURNAL OF THE ASSOCIATION FOR CHINESE MUSIC RESEARCH | 中国音乐研究会 | VOLUME 9,NO.2 | 1996年 |
| 159 | Literature，music and dance | 1955 | ||
| 160 | Marriage Customs of Chinese Ethnic Minorities | 1991年 | ||
| 161 | music south of the sahara | Atta anman mensah | Musics of many culture | 1980 |
| 162 | Musical change in family traditions of saibara | LEE,jisun | ||
| 163 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 | VOLUME1 ISSUE1 | 1998 | |
| 164 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 | VOLUME1 ISSUE2 | 1998 | |
| 165 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 | VOLUME2 ISSUE1 | 1998 | |
| 166 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 | VOLUME2 ISSUE2 | 1998 | |
| 167 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 | VOLUME1 ISSUE3 | 1998 | |
| 168 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 | VOLUME2 ISSUE3 | 1998 | |
| 169 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 | VOLUME2 ISSUE4 | 1998 | |
| 170 | MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 | VOLUME2 ISSUE5 | 1998 | |
| 171 | Musical Performance，Reflectionsperformances/Audiences/Recordings | Basil Tschaikov | Harwood Academic Publishers | |
| 172 | Musical Performance，Reflectionsperformances/Audiences/Recordings | Basil Tschaikov | Harwood Academic Publishers | |
| 173 | Musical Performance，The Performance of Jewish and Arab Music in Israel Today(Vol.1-Issue2) | Basil Tschaikov | Harwood Academic Publishers | 1997 |
| 174 | Musical Performance，The Performance of Jewish and Arab Music in Israel Today(Vol.1-Issue3) | Basil Tschaikov | Harwood Academic Publishers | 1997年 |
| 175 | Musical Performance:The Accordion in All Its Guises(Vol.3,Parts2-4) | Editor in Chief:Basil Tschaikov | Harwood Academic Publisers Imprint | 2001 |
| 176 | NEWSLETTE,Vol.5,No.1 | MUSIC DEPARTMENT AND ASIAN STUD IES PITTSBURGH PENNSY VANIA | PITTSBURGH PENNSY VANIA | 1992 |
| 177 | NEWSLETTE,Vol.5,No.2 | MUSIC DEPARTMENT AND ASIAN STUD IES PITTSBURGH PENNSY VANIA | PITTSBURGH PENNSY VANIA | 1992 |
| 178 | NEWSLETTE,Winter,Vol.6,No.2 | MUSIC DEPARTMENT AND ASIAN STUDIES PITTSBURGH PENNSY VANIA | PITTSBURGH PENNSY VANIA | 1993 |
| 179 | NEWSLETTER,Summer,Vol.3,No.2 | PITTSBRGH USA | 1990 | |
| 180 | NEWSLETTER,Summer,Vol.6,No.2 | MUSIC DEPARTMNT AND ASIAN STUDIES | PITTSBURGH PENNSY VANIA | 1993 |
| 181 | NEWSLETTER,Vol.7,No.2 | MUSIC DEPARTMNT AND ASIAN STUDIES | PITTSBURGH PENNSYLVANIA | 1994 |
| 182 | NEWSLETTER,Winter,Vol.7,No.1 | MUSIC DEPARTMNT AND ASIAN STUDIES | PITTSBURGH PENNSY VANIA | 1994 |
| 183 | North American native music | David P.mcallester | Musics of many culture | 1980 |
| 184 | Northeast Asia and the Island Contries | william P.malm | Musics of＆the Pacific the new east /Asia | 1967 |
| 185 | NUO-GEISTERMASKEN AUS ANHUI(CHINA) | 1991年 | ||
| 186 | Observatino，Interviewing，and Recording Data | Part 3 | ||
| 187 | On the disciplines and arts of music | Stephen Blum | The world of music | 1/1987 |
| 188 | Psychological Significance and Overtones of Visual Imagery in Projective Interviewing | Chapter 9 | ||
| 189 | Risk to Rapport in Photographic Probing | Chapter 10 | ||
| 190 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 33，Number 4 September1999 |
| 191 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 33，Number 3 May 1999 |
| 192 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 33，Number1 January 1999 |
| 193 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 32，Number 4 September1998 |
| 194 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 32，Number 3 May 1998 |
| 195 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 32，Number 2 March 1998 |
| 196 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 32，Number1 January 1998 |
| 197 | Sem Newsletter | The Society for Ethnomusicology | Indiana University | Volume 31，Number 4 September1997 |
| 198 | shaonian songs from Northwestern china | Du yaxiong | ||
| 199 | Sociology of music and ethnomusicology | The world of music | 1/1987 | |
| 200 | some aspects of the history of world music in the twentieth century:questions,problems,and concepts | Bruno Nettle | Enthnomusicology | Volume12 no.1 Jan. 1978 |
| 201 | Some Comment on Method | Part 6 | ||
| 202 | Some problems of method in ethnography | Melville J.Herskovits | ||
| 203 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE1) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 204 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE10) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University VOL.22 | 2000 |
| 205 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE11) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 206 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE12) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 207 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE13) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 208 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE14) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 209 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE15) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 210 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE16) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 211 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE2) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 212 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE3) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 213 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE4) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 214 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE5) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 215 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE6) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 216 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE7) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 217 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE8) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 218 | Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE9) | Tsao Penyeh Chineses University of Hong Kong | Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 | 2000 |
| 219 | Speech Tone And Melody In WU-MING folk songs | LINDY L.MARK AND FANG KUEI LI | ||
| 220 | Termination of Residence | Part 5 | ||
| 221 | The Complex Relations of Simple Forms | Roger D.Abrahams | 1976年 | |
| 222 | The eye of the camera. On the documentation and interpretation of music cultures by audiovisual media | Artur Simon | The world of music | 3/1989 |
| 223 | The Folk Music of The Atlantic Littoral Of Colombia ( an introdoction) | George List | Music in the American | 1967年 |
| 224 | The Influence of Tonal Speech on Kunchu Opera Style | Marjory Liu | Enthnomusicology | Volnme Ⅱ，No.1 1974 |
| 225 | The Philosophy of art History | 1963年 | ||
| 226 | The Structure of Melodic Movement A New Method of Analysis | Mieczyslaw Kolinski | ||
| 227 | Thoughts on improvisation:a comparative approach | Bruno Nettle | Enthnomusicology | VolumeLX no.1 Jan.1974 |
| 228 | Tongyang music(东洋音乐) | vol.20 | 1998 | |
| 229 | Tongyang music(东洋音乐) | vol.22 ISSUE1 | 2000 | |
| 230 | Tongyang music(东洋音乐) | vol.22 ISSUE2 | 2000 | |
| 231 | Tongyang music(东洋音乐) | vol.22 ISSUE3 | 2000 | |
| 232 | Tongyang music(东洋音乐) | vol.22 ISSUE4 | 2000 | |
| 233 | Tongyang music(东洋音乐) | vol.22 ISSUE5 | 2000 | |
| 234 | Univeralism and Relativism in the study of ethnic music | Leonard B.Meyer | Enthnomusicology | Volume4 no.2 1960 |
| 235 | universals in music：a perspective from cognitive psychology | Dane L.Harwood | Enthnomusicology | Volume10 no.3 1976 |
| 236 | whai is ethnomusicology in korea:an evaluation of its current status | Mikyung Park | Paper for the 3rd international asian music Conference | 1998 |
| 237 | writing about music chapter1＆2 | Richard J.wingell | 1990 |
