（2022年9月）会议征稿 | 国际传统音乐学会第二届全球音乐史研究小组专题研讨会征稿通知

国际传统音乐学会（ICTM）第二届全球音乐史研究小组专题研讨会

“一滴水中的整片海洋”：

岛屿音乐、表演认同和声音档案

安东尼奥·帕斯奎利诺国际木偶博物馆

2023年6月7日至9日，巴勒莫

特邀主旨发言：

安东尼·西格（Anthony Seeger）、

彼特·维格尔德（Peter Wiegold）、

塞尔吉奥·博南辛加（Sergio Bonanzinga）

从民族音乐学的角度来看，一部全球音乐史需要考虑到多样化的来源：具象的、书面的、对话的、声音的和视听的。作为民族音乐学家，我们或许已经成为年轻音乐家和乐手的资源库，他们求助于我们的记忆与档案，以滋养和创新他们的传统。在这个技术创新高速发展的时代，从方法论反思的角度，以及当代对观察者/被观察者的角色提出新问题的角度来看，档案的性质和质量、整理和保存成为了至关重要的议题。

这一主题受到了一种特定方式的挑战，这种挑战既来自“岛屿”（Island）的概念，也来自它被表述的许多方式：首先是地理意义上的，但也包括语言、政治和文化意义上的。岛屿内有岛屿，有航线网络连接复杂群岛，这也通常是连接岛屿与大陆沟通的桥梁：在更大的空间交汇处的小空间；像波斯苏菲派著名诗人贾拉尔·丁·鲁米（Jalāl al-Dīn Muḥammad Rūmī）的隐喻那般，不是“海洋中的一滴水”，而是“一滴水中的整片海洋”，我们的研讨会议题也是如此。

现如今，文化的流动性日益增强，我们对于“他者音乐”和“地方声音景观”的新认识也愈加敏锐，这为我们构建了新的包容性以及多元文化框架。越来越多的人开始学习口头传统的声乐和器乐，以及在音乐学院的课程中，投入到各种形式的音乐、戏剧和电影表演的学习中，呈现出认知、管理和创作融合的特点。

第二届ICTM全球音乐史研究小组研讨会将在巴勒莫举行，本次研讨会将会包含这些初步思考，并特别关注以下主题：

1. 动态档案：从非物质记忆的保存到它们在当代的应用和功能。

2. 音乐创作的全球路径是什么？差异是否可以作为“第三条道路”？

3. 声音之岛：离散文化之声。

每位主讲人、专题小组的组织者与参与者应在2022年12月30日前将150-200字的摘要发送至Sergio Bonanzinga（ictm.italiancom@gmail.com），并包括主讲人的姓名和单位。

入选摘要公示： 2023年2月1日

专题研讨会日程公示： 2023年3月1日

学术委员会：Sergio Bonanzinga（主席）、Serena Facci（罗马第二大学）、Ignazio Macchiarella（卡利亚里大学）、Nico Staiti（博洛尼亚大学）、Razia Sultanova（剑桥大学）。

ICTM全球音乐史研究小组分会主席： Razia Sultanova (剑桥大学)

razia@raziasultanova.co.uk

副主席：萧梅 (上海音乐学院)

e_xiaomei@126.com

秘书： Kanykei Mukhtarova (加拿大阿尔伯塔大学)

mukhtaro@ualberta.ca

2nd Symposium of the ICTM Study Group on Global History of Music

“An entire ocean in a drop of water”：

Island’s Musics, Performance Identities, and Sound Archives

Antonio Pasqualino International Puppet Museum

Palermo, June 7-9, 2023

We are delighted to announce Our Keynote speakers:

Anthony Seeger, Peter Wiegold, and Sergio Bonanzinga

A global history of music, from an ethnomusicological perspective, takes into account many differing sources: figurative, literary, dialogic, sound, and audiovisual. We ourselves, as ethnomusicologists, have become sources for the younger musicians and singers, who turn to us, to our memory and to our archives, in order to nourish and renew their tradition. The problem of archives, of their nature and quality, of their arrangement and conservation, in this era of hasty technological innovations, is crucial in terms of methodological reflection and new questions on the roles of the observer and of the observed imposed by contemporaneity.

This theme is challenged in a specific way starting from the idea of an island, and from the many ways in which it can be articulated: in a geographical sense, first of all, but also in a linguistic, political, and cultural sense. There are islands within islands and there are networks of routes that connect complex archipelagos, and the latter often act as bridges to continents: small spaces at the intersection of larger ones; not «a drop in the ocean» but «the entire ocean in a drop», as we read in the precious metaphor by Persian Sufi poet Jalāl al-Dīn Muḥammad Rūmī (1207-1273) recalled in the title of our Symposium.

The growing mobility of cultures and the development of a new and more acute awareness of “other musics” and “local soundscapes” today open up new inclusive and multicultural frames. They start from the learning of vocal and instrumental techniques of oral transmission, alongside institutional training courses within the Conservatories, to project themselves into various forms of musical, theatrical, and cinematic performances characterised by a stratified hybridisation of cognitive, executive, and compositional skills.

The Palermo days of the Second Symposium of the ICTM Study Group on Global History of Music will take place under the sign of these preliminary reflections, with special reference to the following main themes:

1. Archives in motion: from the preservation of immaterial memories to their uses and functions in the contemporary world.

2. What are the global paths of music-making? Is the difference the “third way”?

3. Islands of sounds: the voices of Diasporic cultures.

An abstract of 150-200 words by each individual presenter, or by the panel organiser and each participant in the panel, should be sent to Sergio Bonanzinga (ictm.italiancom@gmail.com) by 30 December 2022 and should include the name and affiliation of the presenter(s).

Declaration of Accepted Abstracts: 1 February 2023.

Announcement of the Symposium Program: 1 March 2023.

Programme committee: Sergio Bonanzinga (Chair), Serena Facci (University of Rome Tor Vergata), Ignazio Macchiarella (University of Cagliari), Nico Staiti (University of Bologna), and Razia Sultanova (University of Cambridge).

ICTM Study Group on Global History of Music Chairperson: Razia Sultanova (University of Cambridge)

razia@raziasultanova.co.uk

Vice-Chair: Xiao Mei (Shanghai Conservatory of Music)

e_xiaomei@126.com

Secretary: Kanykei Mukhtarova (University of Alberta, Canada)

mukhtaro@ualberta.ca