（2023年10月）新书推介｜《从乐弓到齐特：丝绸之路上的乐器研究》
作者：中国仪式音乐中心发布时间：2026-02-12
新书推介｜《从乐弓到齐特：丝绸之路上的乐器研究》
上海音乐学院亚欧音乐研究中心于2022年12月2日-3日承办了国际传统音乐舞蹈学会（ICTMD）的专题研讨会“从乐弓到齐特：丝绸之路上的乐器研究”。会议邀请来自立陶宛、波斯尼亚-黑塞哥维那、马耳他、泰国、马来西亚、印度尼西亚、德国、美国、新西兰、斯里兰卡、中国的18位学者发表相关研究，共有5个单元的发言以及1场工作坊。来自全国各地近200位学者、专家、在校师生以及社会人士在线上共同聆听了此次会议。
在近一年的时间里，经过了收稿、审稿、校对等一系列程序后，本次会议的论文集于今年9月正式面世，由德国柏林逻各斯出版社（Logos Verlag Berlin）出版。
主编：
萧梅
（上海音乐学院教授）
Gisa Jähnichen
（上海音乐学院特聘教授）
简介：
乐弓常被视为乐器发展的开端，但这一推断尚未被证实（乐弓也可能只是众多被用来创造特定声音的乐器之一）。迄今为止，国际学界有关乐弓问世的阐述大都指向非洲文化，然而在亚洲各地也发现有大量乐弓，其中包括一些仍然存活于当下实践中的，不太为人所知的在发展中相互影响的乐器，如弹拨的体鸣乐器（所有类型的口簧），以及不同形状、有或无共鸣器的乐弓。而齐特类乐器，如泰国的phin phia（带共鸣器的乐弓），越南的独弦琴，东南亚大陆高原地区的multiple string goongs（多弦管状齐特）；与齐特相关的各种船型鲁特，以及中东和欧洲的许多齐特琴；由埃及和其他地区的乐器衍生出来的竖琴和里拉；同时也不能忽略像桑图尔/扬琴这一类的击打型齐特类乐器。如此等等，似乎亦为漫长乐器发展的另一端。
本集收录了2022年12月于上海音乐学院举办的国际传统音乐舞蹈学会专题研讨会的会议论文。这些论文尝试对以往的一些阐述提出挑战，试图克服历史发展的片面和单一的解释，并将乐器发展的观念与大区域范围的自然资源相联系。尽管研讨会上的论文侧重于声音产品，但也注重探讨了民族音乐学作为一门有着高度责任感的学科如何起到协助地方决策和区域间合作并共同研究的作用。
INTRODUCTION:
The musical bow is an instrument often being placed at the beginning of instrumental developments, yet it is not proven that this is the case. The musical bow may have been just one of many musical instruments that were used to create sound with specific features. The descriptions of musical bows found so far are pointing towards cultures in Africa, yet there are plenty of musical bows found across Asia, of which is not much known to the world such as the many deriving musical instruments found in current practice such as plucked idiophones (all types of jaw’s harps) and still as musical bows of different shapes with and without resonators. Zithers that come next to mind such as the Thai phin phia or the Vietnamese dan bau, many multiple string goongs (tube zithers) of the highland communities of mainland Southeast Asia or the various boat shaped lutes that are principally related to zithers as well as all the many zithers of the Middle East and Europe, harps and lyres that may are derivates of them in Egypt and other places respectively such as the Chinese kam, not to forget the sophisticatedly hammered zithers of the santur/yangqin type, are seemingly the other end of a long development.
The papers collected in this volume have been initially presented at the International Council for Traditional Music Colloquium (ICTMD) held in Shanghai in December 2022. They try to challenge some previous depictions of instrumental development and one-sided explanations of musical histories. They specifically focus on exploring the interrelationship between instrumental development and the availability of natural resources in particular geographical regions. While the papers at the colloquium focused on sound production, they also explored the role of ethnomusicology as a discipline in guiding local decision making and interregional research co-operation.
上海音乐学院亚欧音乐研究中心自2016年起，连续承办了四届国际传统音乐舞蹈学会（ICTMD）专题研讨会，主题分别为“丝绸之路上的抱弹类鲁特”（2016.10）、“丝绸之路上的复合簧管乐器”（2018.11）、“丝绸之路上的鼓与鼓乐”（2020.12）及“从乐弓到齐特：丝绸之路上的乐器研究”（2022.12），与研讨会相关的会议论文集也陆续面世。
《丝绸之路上的抱弹类鲁特》由上海音乐学院出版社于2019年发行，详情可见【新书推介 | 《丝绸之路上的抱弹类鲁特：理论与实践的互动，从古代到当代表演》】。《丝绸之路上的复合簧管乐器》《丝绸之路上的鼓与鼓乐》由德国柏林逻各斯出版社（Logos Verlag Berlin）于2019年、2021年出版，以下是对两本书的简要介绍。
《丝绸之路上的复合簧管乐器》
Double Reeds along the Great Silk Road （2019）
主编：
Gisa Jähnichen
（上海音乐学院特聘教授）
简介：
复合簧管乐器的研究在民族音乐学及相关领域一直鲜有人涉猎，但其值得被关注。为了填补当前学术研究的空白，上海音乐学院于2018年举办了第25届国际传统音乐舞蹈学会专题研讨会《丝绸之路上的复合簧管乐器：理论与实践的互动，从古代到当代表演》。本书收录了该研讨会中的多篇论文，对已有的历史及民族志的文献展开分析，提供了一些曾经被忽视领域的信息。
INTRODUCTION:
Double-reed instruments have been under-represented in ethnomusicology and related fields and deserve much more serious and sustained attention. To fill the void in current scholarship, the 25th Colloquium of the International Council for Traditional Music, Double Reeds along the Great Silk Road: The Interaction of Theory and Practice from Antiquity to Contemporary Performance, was held at the Shanghai Conservatory of Music, China, in 2018. With a selection of papers from the colloquium, the present volume gathers and analyzes existing documents, whether written, historical, or ethnographical, and provides information on previously neglected regions.
目录：
《丝绸之路上的鼓与鼓乐》
Drums and Drum Ensembles along the Great Silk Road（2021）
主编：
萧梅
（上海音乐学院教授）
Gisa Jähnichen
（上海音乐学院特聘教授）
简介：
本集收录了第27届国际传统音乐舞蹈学会专题研讨会《丝绸之路上的鼓与鼓乐》的十五篇论文。这些论文证明了人类文化从不孤立，鼓与鼓乐的丰富性，与不同群体在军事、贸易和宗教方面的长期交流有着密切关联。
尽管鼓在全球范围内普遍存在，由于不同的语境，人们对它们的理解以及演奏的曲目也复杂多样。本集所呈现的有关丝绸之路音乐的研究特别关注在特定地理和时间范围内，地区之间的多重知识流动。
INTRODUCTION:
This volume comprises fifteen selected papers in five chapters from the 27th ICTMD Colloquium on Drums and Drum Ensembles along the Great Silk Road. It testifies to how human cultures are never created in seclusion. The richness of drums and drum ensembles, including their repertoires, are also connected to long-term exchanges in military affairs, trades, and religions of various peoples.
Despite the obvious prevalence of drums among all peoples around the world, their understanding and their repertoires vary due to different contexts. The studies of music originating on the Silk Road presented in this volume pay particular attention to the multiple flows of knowledge between numerous distinctive regions in the narrower geographical and temporal scope.
目录：
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