本周
二十余位来自世界各地的学者将齐聚上海音乐学院
他们分别来自：
大英图书馆
柏林音响档案馆
澳大利亚国家档案馆
日本大阪民族学博物馆
巴布亚新几内亚研究所
文化部民族民间文艺发展中心
台湾师范大学“民族音乐研究所暨音乐数位典藏中心”
台湾大学音乐研究所
上海音乐学院“中国仪式音乐研究中心·中国传统音乐数据库”
……
论文发表者简介
李 松
李松，文化部民族民间文艺发展中心主任。长期从事民族民间文化保护工作。主持多项国家科技计划项目，在文化数字化记录、保存、管理、传播等领域从事研究工作。目前主持“中国传统乐器声学测量”等科研项目。担任国家社科基金重大委托项目《中国节日志》编辑委会常务副主任；《中国史诗百部》编辑委员会主任。“中国文化艺术资源标准化技术委员会”主任、“中国艺术档案学会”副会长、中国民间文艺家协会理事等职；并在山东大学、西南民族大学、云南大学、新疆师范大学等国内多所高校任特聘教授或研究生、博士生导师。
Li Song, Director of the Center for Ethnic & Folk Literature & Art Development, Ministry of Culture, PRC, has long been devoted in the preservation of ethnic and folk cultures. Several national science and technology projects have been directed by LI Song, who also works in the fields of digital documentation, preservation, management, and dissemination of cultures. Li Song is currently directing projects including “Acoustic Measurements of Traditional Chinese Instruments”. He is the general vice-director of the editing committee of Records of Festivals in China, a significant commission by National Social Science Foundation. He also holds the positions including the chief editor of A Hundred Epics of China, director of “Committee of Standardizing Techniques of Culture and Art Resources in China”, vice-president of “China Council of Arts Archives”, board member of Association of Folk Artists in China. LI Song has also been employed as guest professor or postgraduate and doctoral mentor by several institutes in China, including Shangdong University, Southwest Minzu University, Yunnan University, Xinjiang Normal University.
程俏俏
程俏俏，音乐制作人，电影人，青年民族音乐学家，“行走的耳朵”创始人及创意总监。本科毕业于上海音乐学院音乐学系，期间担任上海音乐学院上海当代音乐周总监助理与项目策划，之后在英国伦敦大学学院 (UCL) 获得物质人类学硕士学位，同时修习伦敦大学金史密斯学院艺术管理与文化政策硕士课程。回国后曾担任“上海之春国际音乐节”上海音乐学院办公室项目经理。她致力于从音乐与声音的角度对中国及东亚地区的不同族群的社会构成、亲属关系、民间信仰和文化惯习等方面进行田野调查，其中包括蒙古族、哈萨克族、图瓦族、藏族、苗族等不同少数民族和海陆丰、闽南等地区。基于田野调查，她制作了多部民族志电影，并组织演出、讲座、音乐节等活动。俏俏现在是中国－欧洲音乐基金会(CHIME) 委员会执行委员，上海音乐学院中国仪式音乐研究中心合作研究员，国际传统音乐学会会员，“上海世界音乐季”特约音乐顾问。
Qiaoqiao Cheng, producer, filmmaker, young ethnomusicologist, is the founder and creative director of SounDate for Traditional Culture. Qiaoqiao holds a Bachelor’s degree in musicology from Shanghai Conservatory of Music, worked as the program manager and director assistant of “Shanghai New Music Week”, she did her Master’s in Anthropology on Material Culture from University College London, and took Master courses in Arts Management and Cultural Policy from Goldsmith College, University of London. Previously, she worked as program manager for “Shanghai Spring International Music Festival”. She has been doing fieldwork from the perspective of music and soundscape in different ethnicities, such as Mongolian, Kazakhs, Uyghur, Tuvan, Tibetan, Dong (Kam), Miao (Hmong) and also regions like Hailufeng and Minnan. Based on her fieldwork, she makes ethnographic films and organizes music performances, workshops, and festivals. Qiaoqiao is working as a committee member of CHIME (The European Foundation For Chinese Music Research), a co-researcher with the Research Institute of Ritual Music in China (Shanghai Conservatory of Music), and as music advisor of “Shanghai World Music Festival”.
萧 梅
萧梅，上海音乐学院音乐学系教授,民族音乐学教研室主任，中国仪式音乐研究中心主任，东方乐器博物馆特聘研究员。中国传统音乐学会副会长兼秘书长，自2011年起担任国际传统音乐学会 (ICTM) 执委及中国国家委员会主席，东亚音乐研究小组 (MEA) 的创始成员。多年来从事搜集、整理和研究民族民间音乐的工作，研究内容包括汉族和中国少数民族的传统音乐、民间音乐和仪式音乐。
Xiao Mei is a professor at the musicology department of Shanghai Conservatory of Music, Director of the Research Institute of Ritual Music in China, an appointed Researcher of the Museum for Oriental Instruments. Beyond this, she is the Vice President and Secretary Gl of the Association for Traditional Music in China and a member of the executive board of ICTM since 2011, founding member of the MEA of ICTM and Chair of the Chinese National Committee of the ICTM. She has been collecting and studying traditional, folk, and ritual music of Han and other ethnic groups in China such as Mongolian, Oroqen, Naxi, Miao (Hmong) and Zhuang over a long period of time.
Don Niles
唐·尼尔斯，巴布亚新几内亚研究所主任、资深民族音乐学家。1979年以来在巴布亚新几内亚地区对传统、流行和基督教等多种类型的音乐和舞蹈进行研究。唐·尼尔斯不仅发表了众多著作、论文及视听出版物，还编辑了研究所的音乐专题系列 (Apwɨtɨhɨre: 巴布亚新几内亚音乐研究）和杂志(Kulele: 太平洋音乐舞蹈报）。现为国际传统音乐学会执委，同时也是澳大利亚国立大学的荣誉副教授。2016年，唐·尼尔斯被授予巴布亚新几内亚的Logohu荣誉称号。
Don Niles is acting director and senior ethnomusicologist of the Institute of Papua New Guinea Studies, where he has worked since 1979. He has researched and published on many types of music and dance in Papua New Guinea, including traditional, popular, and Christian forms. The author/editor of numerous books, articles, and audiovisual publications, Don also edits the Institute’s music monograph series (Apwɨtɨhɨre: Studies in Papua New Guinea Musics) and journal (Kulele: Occasional Papers in Pacific Music and Dance). He is an Executive Board member of the International Council for Traditional Music and an honorary associate professor at the Australian National University. In 2016, he was invested as an Officer in Papua New Guineas Order of Logohu.
陈峙维
陈峙维，自由作曲家，电台主持人，台湾大学音乐学研究所助理教授。于英国斯特灵大学电影和媒体研究系获得博士学位，台湾大学会计系获得MBA学位。他的研究方向包括录音产业、世界音乐、华语流行音乐，以及78转旧唱片时代东亚音乐的交流。
Szu-Wei Chen is a freelance composer, radio presenter, and adjunct assistant professor from the Graduate Institute of Musicology, National Taiwan University. He received his PhD degree from Department of Film and Media Studies, University of Stirling (UK) and MBA from Department of Accounting, National Taiwan University. His research interests include recording industry, world music, Mandopop, and the musical exchanges in East Asia in the age of the 78 rpm records.
Anthony Seeger
安东尼·西格，加州大学洛杉矶分校荣休教授，民族音乐学档案馆馆长，民族音乐学杰出贡献者。于哈佛大学获得社会关系专业的学士学位，芝加哥大学获得社会科学专业的硕士学位，芝加哥大学获得人类学专业的博士学位。其研究聚焦于巴西印第安人的土地权与人权、档案建设、知识产权、非物质文化遗产和民族音乐学理论与方法等问题。西格于1988年至2000年间在史密森学会担任史密森民俗音响档案馆馆长，1982年至1988年于印第安纳大学担任传统音乐档案馆馆长并担任人类学系教授。1975年至1982年在里约热内卢国立大学人类学系担任研究员和教授。还曾担任美国民族音乐学学会主席、国际传统音乐学会秘书长、巴西民族音乐学协会副主席等职务，是IASA研究部的创始人之一。
Anthony Seeger, UCLA, Emeritus Professor, Former Distinguished Professor of Ethnomusicology, and Director, Ethnomusicology Archive, Ph.D. Anthropology, University of Chicago; M.A. Social Sciences, University of Chicago; B.A. Social Relations, Harvard University. His numerous published articles have focused on issues of land and human rights for Brazilian Indians, issues of archiving, intellectual property, intangible cultural heritage, and ethnomusicological theory and method (for a complete list click on the cv link above). Seeger served as Director of Smithsonian Folkways Recordings at the Smithsonian Institution from 1988 to 2000. He served as Director of the Archives of Traditional Music at Indiana University and as a professor in the Department of Anthropology from 1982 to 1988. He was a researcher and professor in the Department of Anthropology at the Museu Nacional in Rio de Janeiro from 1975 to 1982. He has also served as President of the Society for Ethnomusicology, Secretary General of the International Council for Traditional Music, Vice President of the Brazilian Association for Ethnomusicology, and was co-founder of the Research Archive Section of the Association of Sound and Audiovisual Archives.
Timkehet Teffera
提科特·塔芙拉 ，非洲音乐学家，其主要研究领域在东非、尤其是埃塞俄比亚地区。她在长时段的田野考察和科学调查中着重于区域研究、欧洲移民群体的音乐文化、流行音乐、非洲音乐史等方面，例如：七世纪伊斯兰教在奴隶贸易和欧洲殖民下的扩展；在流行音乐史领域的研究课题包括：音乐的演变与杂糅；曲库研究领域的课题有：婚礼音乐、东非社区中的管乐合奏；以及乐器学研究等。她积极参与视听档案的培训和建档工作，与IASA非洲分会的工作，并且在柏林音响档案馆担当项目顾问。
Timkehet Teffera, is an African musicologist whose major research area is East Africa with particular attention given to Ethiopia. Her longstanding fieldworks and scientific investigations focus on regional researches, musical cultures of migratory groups in Europe, popular music, African music history e.g. expansion of Islam/7th century, slave trade and European colonization; popular music history, e.g. evolution and hybridization of music; studies of repertoire, e.g. wedding music, aerophone ensembles among East African communities; organology of musical instruments; e.g. systematic overviews. She is highly engaged with issues of training and documenting in audiovisual archiving as she is actively working with IASA, its African branch, and as project consultant with archival institutions such as the Berlin Phonogram Archive.
Isobel Clouter
伊索贝尔·克鲁特，大英图书馆世界音乐和传统音乐部负责人，主要关注声影族志。她在声音生态学、创造性田野录音和声学现象方面的研究成果已经在BBC和Resonance电台中播出，并已发行CD和出版物。伊索贝尔是大英图书馆英国“声音地图”项目的发起者，此公共参与项目尝试通过移动录音技术记录英国的声音景观。她目前的研究聚焦于视听文化遗产的数字馆藏与原生地（以尼泊尔为主）再度连接所产生的影响。
Isobel Clouter is a curator of World and Traditional Music at the British Library, with primary interests in acoustic and visual ethnography. Past research in acoustic ecology, creative field-recording and acoustic phenomena has resulted in BBC and Resonance FM radio broadcasts and publications on cd and in print. Isobel was the instigator of the British Library UK soundmap, a public engagement project which sought to document the UK soundscape through the use of mobile recording technology. Her current research focuses on the impact of reconnecting digital collections of audiovisual cultural heritage material from the British Library in the country of origin, with a specific focus on Nepal.
寺田吉孝
寺田吉孝，民族音乐学教授，1992年毕业于华盛顿大学，获得民族音乐学博士学位。现就职于日本大阪民族学博物馆文化资源研究中心。他主要研究亚洲及美国亚裔的音乐文化，并在印度、菲律宾、柬埔寨、日本和北美地区进行了田野调查。自1999年以来，他制作了多个地区的音乐民族志电影，聚焦于边缘社区的音乐文化。
Terada Yoshitaka (PhD in ethnomusicology, University of Washington, 1992) is Professor of ethnomusicology in the Center for Cultural Resource Studies at the National Museum of Ethnology in Osaka, Japan. He specializes in music cultures of Asia and Asian America, and has conducted fieldwork in the India, Philippines, Cambodia, Japan and North America. Since 1999, he has produced ethnographic films on music from diverse locations, many of which deal with the music culture of marginalized communities.
Linda Barwick
琳达·巴威克，音乐学家，专注于澳大利亚原住民音乐、移民音乐和数字人文等方面，特别是将民族志田野录音的建档和遣返，作为研究者与当地社区之间的互动。她通过对澳大利亚、意大利和菲律宾的田野调查，进行社区音乐实践的研究，研究主题包括地方音乐行为分析、歌唱语言和跨文化音乐实践的美学研究。她出版的理论著作涉及非西方音乐之分析、数字技术研究的意义等。琳达·巴威克是澳大利亚人文学院研究员，同时是澳大利亚原住民及托雷斯海峡岛民研究所、澳大利亚音乐学会、国际传统音乐学会、澳大利亚数字人文协会和澳大利亚语言学会等机构的成员。
Linda Barwick is a musicologist, specialising in the study of Australian Aboriginal musics, immigrant musics and the digital humanities (particularly archiving and repatriation of ethnographic field recordings as a site of interaction between researchers and cultural heritage communities). She studied community music practices through fieldwork in Australia, Italy and the Philippines. Themes of her research include analysis of musical action in place, the language of song, and the aesthetics of cross-cultural musical practice. She also publishes on theoretical issues, including analysis of non-Western music, and research implications of digital technologies. Linda Barwick is fellow of the Australian Academy of the Humanities, member of the Australian Institute of Aboriginal and Torres Strait Islander Studies, Musicological Society of Australia, International Council for Traditional Music, Australasian Digital Humanities Association, and the Australian Linguistics Society.
刘 红
刘红，民族音乐学博士，上海音乐学院音乐学系教授，“中国仪式音乐研究中心”副主任，香港道乐团艺术总监。
Hong Liu, Ph.D. in Ethnomusicology. Professor in Musicology Department of Shanghai Conservatory of Music, vice director of the "Research Center for Chinese Ritual Music", and the Artistic Director of Hong Kong Taoist Orchestra.
Gisa Jähnichen
吉萨·贾妮珍，教授，博士，出生于德国萨勒，目前任教于上海音乐学院，研究东南亚音乐长达30年。于布拉格查尔斯大学获得东南亚音乐学学士学位和区域研究硕士学位，柏林洪堡大学音乐学/民族音乐学博士学位，维也纳大学获得比较音乐学教授资格。她在东南亚、东非、西南和东南欧展开了广泛的田野调查。在老挝，她与当地同事共同建立了国家图书馆的媒体部。她作为ICTM成员，在乐器研究小组担任主席并活跃于其他研究小组。她是“民间乐器研究丛书”编辑，也是IASA培训和教育委员会秘书。
Gisa Jähnichen, Prof. Dr., born in Halle (Saale), Germany, currently working as professor at the Shanghai Conservatory of Music, was doing research over more than 30 years in South East Asia. Magister (Bachelor & Master) in Musicology and Regional Studies on South East Asia from Charles University Prague (Czech Republic), PhD in Musicology / Ethnomusicology from Humboldt University Berlin (Germany); Professorial thesis (Habilitation) in Comparative Musicology from University Vienna (Austria). Extensive field researches lead her to Southeast Asia, East Africa, Southwest and Southeast Europe. Together with Laotian colleagues, she built up the Media Section of the National Library in Laos. Gisa Jähnichen is member of ICTM, Chair of its Study Group on Musical Instruments, and member of other Study Groups. She is editor of the book series Studia Instrumentorum Musicae Popularis (New Series). She is also the secretary of the Training & Education Committee in the International Association for Sound and Audiovisual Archives (IASA) and an IASA ambassador.
（*以上学者简介按照本次会议论文发表顺序排列）
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