流水号 |
期刊名称 |
卷本 |
出版社 |
时间 |
1 |
《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.1,no.1 |
BELL YUNG |
MUSIC DEPARTMENT AND THE ASINA STUDIES PROGRAM |
1997 |
2 |
《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.8,no.1 |
BELL YUNG |
MUSIC DEPARTMENT AND THE ASIAN STUDIES PROGRAM |
1995 |
3 |
《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.8,no.2 |
BELL YUNG |
MUSIC DEPARTMENT AND THE ASIAN STUDIES PROGRAM |
1995 |
4 |
《ASSOCIATION FOR CHINESE MUSIC RESEARCH 》vol.9,No.2 |
BELL YUNG |
MUSIC DEPARTMENT AND THE ASINA STUDIES PROGREM 1995 |
1996 |
5 |
《The Humanities》 |
香港中文大学文学院出版委员会 |
|
2001 |
6 |
《东京艺术大学音乐学部小泉文夫纪念资料室所藏乐器目录》 |
Edited by the Koizumi Fumio Memorial Archives |
|
1987年版 |
7 |
A critique of current research on music and gender |
Anne Dhu Shapiro |
The world of music |
2/1991 |
8 |
A current comparative view on east asian music |
Hwand Jun-yon |
|
|
9 |
A MANUAL for DOCUMENTATION FIELDWORK &PRESERVATION for ETHNOMUSICOLOGISTS |
|
|
1994 |
10 |
ACMR Reports |
VOLUME11,Fall ISSUE1 |
|
1998 |
11 |
ACMR Reports |
VOLUME11,Fall ISSUE2 |
|
1998 |
12 |
ACMR Reports |
VOLUME12,Fall |
|
1999 |
13 |
ACMR Reports |
VOLUME13,Fall |
|
2000 |
14 |
ASIAN MUSIC |
VOLUME ⅩⅤ-2 |
|
1984 |
15 |
ASIAN MUSIC |
VOLUME ⅩⅥ-1 |
|
1985 |
16 |
ASIAN MUSIC |
VOLUME ⅩⅥ-2 |
|
1985 |
17 |
ASIAN MUSIC |
VOLUME ⅩⅦ-3 |
|
1985 |
18 |
ASIAN MUSIC |
VOLUME ⅩⅦ-2 |
|
1986 |
19 |
ASIAN MUSIC |
VOLUME ⅩⅧ-1 |
|
1986 |
20 |
ASIAN MUSIC |
VOLUME ⅪⅩ-1 |
|
1987 |
21 |
ASIAN MUSIC |
VOLUME ⅪⅩ-2 |
|
1988 |
22 |
ASIAN MUSIC |
VOLUME ⅩⅩ-1 |
|
1988-1989 |
23 |
ASIAN MUSIC |
VOLUME ⅩⅩ-2 ISSUE1 |
|
1989 |
24 |
ASIAN MUSIC |
VOLUME ⅩⅩ-2 ISSUE2 |
|
1989 |
25 |
ASIAN MUSIC |
VOLUME ⅩⅪ-1 |
|
1989/1990 |
26 |
ASIAN MUSIC |
VOLUME ⅩⅪ-2 |
|
1990 |
27 |
ASIAN MUSIC |
VOLUME ⅩⅫ-1 |
|
1990/1991 |
28 |
ASIAN MUSIC |
VOLUME ⅩⅫ-2 |
|
1991 |
29 |
ASIAN MUSIC |
VOLUME ⅩⅩⅢ-1 |
|
1991/1992 |
30 |
ASIAN MUSIC |
VOLUME ⅩⅩⅢ-2 |
|
1992 |
31 |
ASIAN MUSIC |
VOLUME ⅩⅩⅥ-1 |
|
1994/1995 |
32 |
ASIAN MUSIC |
VOLUME ⅩⅣ-1 |
|
|
33 |
ASIAN MUSIC |
VOLUME ⅩⅣ-2 |
|
|
34 |
ASIAN MUSIC |
VOLUME ⅩⅩⅥ-2 |
|
1995 |
35 |
ASIAN MUSIC |
VOLUME ⅩⅩⅦ-1 ISSUE1 |
|
1995/1996 |
36 |
ASIAN MUSIC |
VOLUME ⅩⅩⅦ-1 ISSUE2 |
|
1995/1997 |
37 |
ASIAN MUSIC |
VOLUME ⅩⅩⅦ-2 |
|
1996 |
38 |
ASIAN MUSIC |
VOLUME ⅩⅩⅧ-1 |
|
1996/1997 |
39 |
ASIAN MUSIC |
VOLUME ⅩⅩⅧ-2 |
|
1997 |
40 |
ASIAN MUSIC |
VOLUME ⅩⅩⅣ-1 |
|
1997/1998 |
41 |
ASIAN MUSIC |
VOLUME ⅩⅩⅨ-2 |
|
1998 |
42 |
ASIAN MUSIC |
VOLUME ⅩⅩⅩ-1 |
|
1998/1999 |
43 |
Bibliography on musci and gender_women in music |
Jane bowers and Urban bareis |
The world of music |
2/1991 |
44 |
Buddhist and Taoist Studies 1 |
Edited by Michael Saso and David W.Chappell |
The University Press of Hawall |
1977年版 |
45 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅩⅨ |
|
2001 |
46 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.C(100) |
|
2002 |
47 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CI(101) |
|
2002 |
48 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅡ(102) |
|
2003 |
49 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅢ(103) |
|
2003 |
50 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅣ(104) |
|
2004 |
51 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅤ(105) |
|
2004 |
52 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅥ(106) |
|
2005 |
53 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅦ(107) |
|
2005 |
54 |
BULLETIN of the international council for TRADITIONAL MUSIC(iCTM) |
NO.CⅤⅨ(109) |
|
2006 |
55 |
Ceremonies and music for receiving foreign envoys in the choson period |
Lim,Mi-sun |
Paper for the 3rd international asian music Conference |
|
56 |
CHIANG CHING-KUO FOUNDATION FOR INTERNATIONAL SCHOLARLY EXCHANGE |
|
|
2004-2005 |
57 |
CHIME |
NO.4 |
|
1991 |
58 |
CHIME |
NO.5 |
|
1992 |
59 |
CHIME |
LEIDEN |
NETHERLANDS |
1990 |
60 |
Chinas Minority Nationalities(1) |
|
CHINA RECONSTRUCTS |
1984年 |
61 |
Chinese music in the Diaspora:the case of teochew music in thailand |
Frederick Lau |
paper presented at the 3rd international conference of asian music |
1998 |
62 |
CHINOPERL PAPERS |
NO.4 |
|
1974 |
63 |
CHINOPERL PAPERS |
NO.5 |
|
1975 |
64 |
CHINOPERL PAPERS |
NO.6 ISSUE1 |
|
1976 |
65 |
CHINOPERL PAPERS |
NO.6 ISSUE2 |
|
1976 |
66 |
CHINOPERL PAPERS |
NO.7 |
|
1977 |
67 |
CHINOPERL PAPERS |
NO.8 |
|
1978 |
68 |
CHINOPERL PAPERS |
NO.9 |
|
1979-1980 |
69 |
CHINOPERL PAPERS |
NO.10 |
|
1981 |
70 |
CHINOPERL PAPERS |
NO.11 |
|
1982 |
71 |
CHINOPERL PAPERS |
NO.12 |
|
1983 |
72 |
CHINOPERL PAPERS |
NO.13 |
|
1984-1985 |
73 |
CHINOPERL PAPERS |
NO.14 |
|
1986 |
74 |
Choices of Status and Role |
Part 4 |
|
|
75 |
Choosing a Location |
Part 1 |
|
|
76 |
Culture Bearer and Tradition Bearer:An ethnomusicologists Research on gospel music |
Mellonee Burnim |
Enthnomusicology |
1985 |
77 |
Current Research of Daoist Ritual Music in China |
Tsao Penyeh |
Journal of the Asian Music Research Institute Seoul National University |
Vol.20 1998 |
78 |
Current Research on Asian Music |
|
|
1998年9月24-25日 |
79 |
Current state and methodology of chinese music rearch in mainland china |
yang mu |
Paper for the 3rd IAMC Conference |
|
80 |
Entering a Native Community |
Part 2 |
|
|
81 |
Ethnomusicological Approaches to Western art music:a native reflection |
John Rahn |
The world of music |
1/1987 |
82 |
Ethnomusicology |
VOLUME 21-30 |
|
1977-1986 |
83 |
Ethnomusicology |
VOLUME XXVII,NO.1 |
|
1983 |
84 |
Ethnomusicology |
VOLUME XXVII,NO.2 |
|
1983 |
85 |
Ethnomusicology |
VOLUME XXVII,NO.3 |
|
1983 |
86 |
Ethnomusicology |
VOLUME XXVⅢ,NO.1 |
|
1984 |
87 |
Ethnomusicology |
VOLUME XXVⅢ,NO.2 |
|
1984 |
88 |
Ethnomusicology |
VOLUME XXVⅢ,NO.3 |
|
1984 |
89 |
Ethnomusicology |
VOLUME 29,NO.1 |
|
1985 |
90 |
Ethnomusicology |
VOLUME 29,NO.2 |
|
1985 |
91 |
Ethnomusicology |
VOLUME 29,NO.3 |
|
1985 |
92 |
Ethnomusicology |
VOLUME 30,NO.1 |
|
1986 |
93 |
Ethnomusicology |
VOLUME 30,NO.2 |
|
1986 |
94 |
Ethnomusicology |
VOLUME 30,NO.3 |
|
1986 |
95 |
Ethnomusicology |
VOLUME 31,NO.2 |
|
1987 |
96 |
Ethnomusicology |
VOLUME 31,NO.3 |
|
1987 |
97 |
Ethnomusicology |
VOLUME 32,NO.1 |
|
1988 |
98 |
Ethnomusicology |
VOLUME 32,NO.2 |
|
1988 |
99 |
Ethnomusicology |
VOLUME 32,NO.3 |
|
1988 |
100 |
Ethnomusicology |
VOLUME 33,NO.1 |
|
1989 |
101 |
Ethnomusicology |
VOLUME 33,NO.2 |
|
1989 |
102 |
Ethnomusicology |
VOLUME 33,NO.3 |
|
1989 |
103 |
Ethnomusicology |
VOLUME 34,NO.1 |
|
1990 |
104 |
Ethnomusicology |
VOLUME 34,NO.2 |
|
1990 |
105 |
Ethnomusicology |
VOLUME 35,NO.2 |
|
1991 |
106 |
Ethnomusicology |
VOLUME 35,NO.3 |
|
1991 |
107 |
Ethnomusicology |
VOLUME 36,NO.2 |
|
1992 |
108 |
Ethnomusicology |
VOLUME 36,NO.3 |
|
1992 |
109 |
Ethnomusicology |
VOLUME 37,NO.2 |
|
1993 |
110 |
Ethnomusicology |
VOLUME 37,NO.3 |
|
1993 |
111 |
Ethnomusicology |
VOLUME 38,NO.2 |
|
1994 |
112 |
Ethnomusicology |
VOLUME 39,NO.1 |
|
1995 |
113 |
Ethnomusicology |
VOLUME 39,NO.2 |
|
1995 |
114 |
Ethnomusicology |
VOLUME 39,NO.3 |
|
1995 |
115 |
Ethnomusicology |
VOLUME 40,NO.1 |
|
1996 |
116 |
Ethnomusicology |
VOLUME 40,NO.2 |
|
1996 |
117 |
Ethnomusicology |
VOLUME 40,NO.3 |
|
1996 |
118 |
Ethnomusicology |
VOLUME 41,NO.1 |
|
1997 |
119 |
Ethnomusicology |
VOLUME 41,NO.2 |
|
1997 |
120 |
Ethnomusicology |
VOLUME 41,NO.3 |
|
1997 |
121 |
Ethnomusicology |
VOLUME 42,NO.1 |
|
1998 |
122 |
Ethnomusicology |
VOLUME 42,NO.2 |
|
1998 |
123 |
Ethnomusicology |
VOLUME 42,NO.3 |
|
1998 |
124 |
Ethnomusicology |
VOLUME 43,NO.1 |
|
1999 |
125 |
Ethnomusicology |
VOLUME 43,NO.2 |
|
1999 |
126 |
Ethnomusicology |
VOLUME 43,NO.3 |
|
1999 |
127 |
Extension and its effect in bulgarian folk song |
Boris Kremenliev |
|
|
128 |
Film and video in ethnomusicological research |
Oskar Elschek |
The world of music |
3/1989 |
129 |
Filming music and looking at music films |
HUGO ZEMP |
Enthnomusicology |
Volume32 no.3 1988 |
130 |
Filmmaking as musical Ethnography |
John baily |
The world of music |
3/1989 |
131 |
Great expectations:Ethnomusicologists and filmmakers working together |
Mitsu takahashi |
The world of music |
3/1989 |
132 |
ICTM Yearbook for Traditional Musicvol.20 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1988 |
133 |
ICTM Yearbook for Traditional Musicvol.21 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1989 |
134 |
ICTM Yearbook for Traditional Musicvol.23 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1991 |
135 |
ICTM Yearbook for Traditional Musicvol.24 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1992 |
136 |
ICTM Yearbook for Traditional Musicvol.25 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1993 |
137 |
ICTM Yearbook for Traditional Musicvol.26 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1994 |
138 |
ICTM Yearbook for Traditional Musicvol.27 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1995 |
139 |
ICTM Yearbook for Traditional Musicvol.28 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1996 |
140 |
ICTM Yearbook for Traditional Musicvol.29 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1997 |
141 |
ICTM Yearbook for Traditional Musicvol.30 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1998 |
142 |
ICTM Yearbook for Traditional Musicvol.31 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1999 |
143 |
ICTM Yearbook for Traditional Musicvol.32 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
2000 |
144 |
ICTM Yearbook for Traditional Musicvol.33 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
2001 |
145 |
ICTM Yearbook for Traditional Musicvol.34 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
2002 |
146 |
ICTM Yearbook for Traditional Musicvol.35 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
2003 |
147 |
ICTM Yearbook for Traditional Musicvol.36 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
2004 |
148 |
ICTM Yearbook for Traditional Musicvol.37 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
2005 |
149 |
ICTM Yearbook for Traditional Musicvol.l5 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1983 |
150 |
ICTM Yearbook for Traditional Musicvol.l6 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1984 |
151 |
ICTM Yearbook for Traditional Musicvol.l7 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1985 |
152 |
ICTM Yearbook for Traditional Musicvol.l8 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1986 |
153 |
ICTM Yearbook for Traditional Musicvol.l9 |
Professor Erich Stockmann |
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC |
1987 |
154 |
Igbo and hausa musicians:a comparative examination |
David W.Ames |
Enthnomusicology |
Volume12 no.2 May.1973 |
155 |
Interviewing with Photographs |
Chapter 8 |
|
|
157 |
Introduction:studying musics of the worlds cultures |
Bruno Nettle |
excursions in world music |
1992 |
158 |
JOURNAL OF THE ASSOCIATION FOR CHINESE MUSIC RESEARCH |
中国音乐研究会 |
VOLUME 9,NO.2 |
1996年 |
159 |
Literature,music and dance |
|
|
1955 |
160 |
Marriage Customs of Chinese Ethnic Minorities |
|
|
1991年 |
161 |
music south of the sahara |
Atta anman mensah |
Musics of many culture |
1980 |
162 |
Musical change in family traditions of saibara |
LEE,jisun |
|
|
163 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 |
VOLUME1 ISSUE1 |
|
1998 |
164 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 |
VOLUME1 ISSUE2 |
|
1998 |
165 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 |
VOLUME2 ISSUE1 |
|
1998 |
166 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 简装 |
VOLUME2 ISSUE2 |
|
1998 |
167 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 |
VOLUME1 ISSUE3 |
|
1998 |
168 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 |
VOLUME2 ISSUE3 |
|
1998 |
169 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 |
VOLUME2 ISSUE4 |
|
1998 |
170 |
MUSICAL PERFORMANCE Tradition and change in the performance of Chinese Music 精装 |
VOLUME2 ISSUE5 |
|
1998 |
171 |
Musical Performance,Reflectionsperformances/Audiences/Recordings |
Basil Tschaikov |
Harwood Academic Publishers |
|
172 |
Musical Performance,Reflectionsperformances/Audiences/Recordings |
Basil Tschaikov |
Harwood Academic Publishers |
|
173 |
Musical Performance,The Performance of Jewish and Arab Music in Israel Today(Vol.1-Issue2) |
Basil Tschaikov |
Harwood Academic Publishers |
1997 |
174 |
Musical Performance,The Performance of Jewish and Arab Music in Israel Today(Vol.1-Issue3) |
Basil Tschaikov |
Harwood Academic Publishers |
1997年 |
175 |
Musical Performance:The Accordion in All Its Guises(Vol.3,Parts2-4) |
Editor in Chief:Basil Tschaikov |
Harwood Academic Publisers Imprint |
2001 |
176 |
NEWSLETTE,Vol.5,No.1 |
MUSIC DEPARTMENT AND ASIAN STUD IES PITTSBURGH PENNSY VANIA |
PITTSBURGH PENNSY VANIA |
1992 |
177 |
NEWSLETTE,Vol.5,No.2 |
MUSIC DEPARTMENT AND ASIAN STUD IES PITTSBURGH PENNSY VANIA |
PITTSBURGH PENNSY VANIA |
1992 |
178 |
NEWSLETTE,Winter,Vol.6,No.2 |
MUSIC DEPARTMENT AND ASIAN STUDIES PITTSBURGH PENNSY VANIA |
PITTSBURGH PENNSY VANIA |
1993 |
179 |
NEWSLETTER,Summer,Vol.3,No.2 |
|
PITTSBRGH USA |
1990 |
180 |
NEWSLETTER,Summer,Vol.6,No.2 |
MUSIC DEPARTMNT AND ASIAN STUDIES |
PITTSBURGH PENNSY VANIA |
1993 |
181 |
NEWSLETTER,Vol.7,No.2 |
MUSIC DEPARTMNT AND ASIAN STUDIES |
PITTSBURGH PENNSYLVANIA |
1994 |
182 |
NEWSLETTER,Winter,Vol.7,No.1 |
MUSIC DEPARTMNT AND ASIAN STUDIES |
PITTSBURGH PENNSY VANIA |
1994 |
183 |
North American native music |
David P.mcallester |
Musics of many culture |
1980 |
184 |
Northeast Asia and the Island Contries |
william P.malm |
Musics of&the Pacific the new east /Asia |
1967 |
185 |
NUO-GEISTERMASKEN AUS ANHUI(CHINA) |
|
|
1991年 |
186 |
Observatino,Interviewing,and Recording Data |
Part 3 |
|
|
187 |
On the disciplines and arts of music |
Stephen Blum |
The world of music |
1/1987 |
188 |
Psychological Significance and Overtones of Visual Imagery in Projective Interviewing |
Chapter 9 |
|
|
189 |
Risk to Rapport in Photographic Probing |
Chapter 10 |
|
|
190 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 33,Number 4 September1999 |
191 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 33,Number 3 May 1999 |
192 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 33,Number1 January 1999 |
193 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 32,Number 4 September1998 |
194 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 32,Number 3 May 1998 |
195 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 32,Number 2 March 1998 |
196 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 32,Number1 January 1998 |
197 |
Sem Newsletter |
The Society for Ethnomusicology |
Indiana University |
Volume 31,Number 4 September1997 |
198 |
shaonian songs from Northwestern china |
Du yaxiong |
|
|
199 |
Sociology of music and ethnomusicology |
|
The world of music |
1/1987 |
200 |
some aspects of the history of world music in the twentieth century:questions,problems,and concepts |
Bruno Nettle |
Enthnomusicology |
Volume12 no.1 Jan. 1978 |
201 |
Some Comment on Method |
Part 6 |
|
|
202 |
Some problems of method in ethnography |
Melville J.Herskovits |
|
|
203 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE1) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
204 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE10) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University VOL.22 |
2000 |
205 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE11) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
206 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE12) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
207 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE13) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
208 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE14) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
209 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE15) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
210 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE16) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
211 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE2) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
212 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE3) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
213 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE4) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
214 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE5) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
215 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE6) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
216 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE7) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
217 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE8) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
218 |
Soundscape of Daoist Rituals "musical"Values from the Insiders Perspective (ISSUE9) |
Tsao Penyeh Chineses University of Hong Kong |
Tongyang mak Journal of the Asian Music Research Institute Seoul National University vol.22 |
2000 |
219 |
Speech Tone And Melody In WU-MING folk songs |
LINDY L.MARK AND FANG KUEI LI |
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220 |
Termination of Residence |
Part 5 |
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221 |
The Complex Relations of Simple Forms |
Roger D.Abrahams |
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1976年 |
222 |
The eye of the camera. On the documentation and interpretation of music cultures by audiovisual media |
Artur Simon |
The world of music |
3/1989 |
223 |
The Folk Music of The Atlantic Littoral Of Colombia ( an introdoction) |
George List |
Music in the American |
1967年 |
224 |
The Influence of Tonal Speech on Kunchu Opera Style |
Marjory Liu |
Enthnomusicology |
Volnme Ⅱ,No.1 1974 |
225 |
The Philosophy of art History |
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1963年 |
226 |
The Structure of Melodic Movement A New Method of Analysis |
Mieczyslaw Kolinski |
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227 |
Thoughts on improvisation:a comparative approach |
Bruno Nettle |
Enthnomusicology |
VolumeLX no.1 Jan.1974 |
228 |
Tongyang music(东洋音乐) |
vol.20 |
|
1998 |
229 |
Tongyang music(东洋音乐) |
vol.22 ISSUE1 |
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2000 |
230 |
Tongyang music(东洋音乐) |
vol.22 ISSUE2 |
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2000 |
231 |
Tongyang music(东洋音乐) |
vol.22 ISSUE3 |
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2000 |
232 |
Tongyang music(东洋音乐) |
vol.22 ISSUE4 |
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2000 |
233 |
Tongyang music(东洋音乐) |
vol.22 ISSUE5 |
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2000 |
234 |
Univeralism and Relativism in the study of ethnic music |
Leonard B.Meyer |
Enthnomusicology |
Volume4 no.2 1960 |
235 |
universals in music:a perspective from cognitive psychology |
Dane L.Harwood |
Enthnomusicology |
Volume10 no.3 1976 |
236 |
whai is ethnomusicology in korea:an evaluation of its current status |
Mikyung Park |
Paper for the 3rd international asian music Conference |
1998 |
237 |
writing about music chapter1&2 |
Richard J.wingell |
|
1990 |